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“Tim Ebner’s Regalia”, Dream from May 16, 2012
I was talking to Tim Ebner in his studio which was in a detached garage. It was packed with various art materials. He had a huge variety of ongoing projects from paintings to sculptures of fish hanging from the ceiling. Tim was chipper and happy to show me what he was working on. At one point he giddily said “hold on a minute!..” He disappeared into the back area of the studio and he when he emerged he was wearing a bright-red, pompous uniform. It was jumbo-sized like David Byrne’s suit in “Stop Making Sense”. Tim was grinning and posing like a demented Nazi, and I thought there where insignias of the WWII German army on it, but I can’t totally recall. Overall, it gave the look and regalia of a British guard. Except it was floppy and even more over-the-top. Tim’s head looked like a turtle’s grinning over its big, baggy, colorful shell. I laughed and he seemed to act out a role for his project. I seemed to recognize the role and said..”Hey Tim, could you draw what that other uniform looked like? (I am not sure what I was thinking about) He obliged and went to his drawing table. With an feathered ink brush he drew a incredibly fast yet tack sharp graphic image of a multi-headed creature. It was almost as if the image appeared on the page as he touched his brush over the paper. The drawing resembled a symbolic illustration of something as well as a graphic figure. The multiple heads of the creature, and the connecting flourishes looked similar to parts of Chinese writing. I wondered how he drew it so crisply and quickly. I was very impressed.
At one point, I asked Tim, “I meant to ask you earlier…How did the operation go?..” (somehow I understood that he was to have a planned operation recently) Apparently this must have been a huge secret. Tim did not answer me at all. His demeanor completely changed, and he looked extremely upset and deflated. He would not say another word to me again.
Later, I met Tim’s mother and a few other relatives who entered the garage. We were to go to an art opening somewhere. At first I was confused because I felt it was so late, and somehow I saw a clock that said it was past midnight, yet it was light outside. We all got into a long white limousine. Tim did not speak to me still but he was talking to his mother in the seats in front of me, while I sat near the back. He was agitated and nearly arguing with her. I definitely felt like a third wheel (or fifth). We arrived at a very large pure dirt improvised parking lot. There were many other cars there roughly parked in rows. The gallery was like a modern, case study house: squarish, low and flat, like the Schindler house in Los Angeles, but very long. There were many people already inside, and looked to be elegantly dressed like a upscale 1930’s cocktail party with fur scarves and fanciful hats; most were pimped out in white.
At some point my cell phone rang. I looked at the phone and it said “Nicole” was calling. When I picked it up, however, I heard a man’s voice. He said “I have kidnapped your wife…I have her…” As I listened closely, I instantly recognized the voice. He spoke with a pushy and over-precise diction. It was the voice of a guy that we randomly met with a friend of Nicole’s at an event at Griffith Park the previous weekend. I remembered that Nicole’s friend said that this guy was a stranger who was randomly talking to her during the event (concert?)..and that he was annoying and creepy, and warned us about him. Armed with this knowledge, I told him that I knew who he was. He was quieted at first, but then he rolled with it, into another kind of threat. I had placed a face to his voice as well. (For some reason) it was the guy in that Errol Morris documentary on self-professed geniuses. (His actual name is Rick Rosner). And he has really huge pillowy lips and dark curly beard. I could visualize his lips moving like a puckering fish as he talked. I urgently felt like I could figure out how to find him very quickly.








